DARKMINDMODULAR SOUND SYSTEMSENTER THE RACK ↗

DARKMIND / TIGER COLLECTION

PATCH INTO
THE WILD.

Instruments with teeth. Effects with attitude.
Performance tools that take your patch somewhere new.

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45 INDIVIDUAL MODULES03 TIGER SERIESVCV RACK 2
DM // SONIC EXPLORATION
CONTROL / MUTATE / COMPOSE / EVOLVE

Complete little journeys through the Tiger collection.

Listen to the patch, then explore what made it.

THREE COLOURS. THREE INSTINCTS.

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THE COLLECTION.

Individual modules. Distinct personalities.
Click a console to get inside the sound.

45 MODULES / ALL SERIES COLLECTION PREVIEW

THE DARKMIND MINDSET

ONE MODULE.
A NEW DIRECTION.

A small change can take a patch somewhere unexpected. A different rhythm. A new texture. A movement you haven’t heard before.

Tiger modules give each idea its own place in your rack—from a focused utility to a wide performance console. Choose the tools that fit the way you make music.

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DARKMIND / THE LISTENING ROOM

THE TIGER COLLECTION IN MOTION

THE SOUNDS.

Complete little journeys through the Tiger collection.
Listen to the patch, then explore what made it.

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DARKMIND / TIGER SOUNDS / 001
DRIFT INTO THE DEEP.HARMONY / TEXTURE / SPACE

ONE-MINUTE MEDITATION

STILLWATER

Warm chords, delicate glass notes and slowly expanding stereo space. A gentle opening unfolds into a suspended spectral texture, then returns to a quiet ending.

60 SECONDS8 TIGER MODULESNO DRUMS

INSIDE THE PATCH

  • — the evolving chord progression.
  • — warm, layered synth voices.
  • — slow movement in the voices’ tone and shape.
  • — delicate glass-like notes.
  • — gentle chorus and stereo width.
  • — spectral colouring and a brief frozen texture.
  • — long, softly filtered stereo echoes.
  • — final filtering and spacious reverb.

Two CONCORD / PROTEUS pairs crossfade the chords smoothly. Automated knobs and buttons shape the whole minute; stock Rack mixers and VCAs handle levels and fades.

DARKMIND / TIGER SOUNDS / 002
TURN UP
THE HEAT.DRIVE / RESONANCE / RHYTHM

ACID HOUSE / 128 BPM

ACID PROTOCOL

A pounding four-on-the-floor kick, offbeat sub-bass and a sliding acid riff. Resonant filter sweeps lead through a full groove, stripped breakdown and rising snare build into the final drop.

60 SECONDS32 BARS7 TIGER MODULES

INSIDE THE PATCH

  • — the accented, sliding acid melody and a separate offbeat sub-bass voice.
  • — four-on-the-floor rhythm, fills and the rising snare build.
  • — the kick, snare, clap and synthesised hat voices.
  • — subtle timing variation on the closed hats.
  • — driven colour and kick-triggered ducking on the acid and bass.
  • — tempo-matched stereo acid echoes.
  • — short acid reverb, opening into more space during the breakdown.
THE ARRANGEMENT

0–7.5s: restrained acid and kick intro.
7.5–30s: full groove, opening filter, transposed turnaround and fill.
30–37.5s: kick and bass drop away; the acid echoes take over.
37.5–45s: rising snare build and widening space.
45–58.125s: full drop, stronger drive, square-wave colour and return to saw.
58.125–60s: final turnaround and echo tail.

Actual Tiger modules perform the track. Cutoff, resonance, envelope, drive, waveform, drum density, mutes, fills and effect mix are automated across the minute. The kick and sub stay out of the acid reverb.

DARKMIND / TIGER SOUNDS / 003
FOLLOW THE
UNKNOWN.TRANSMISSION / CAPTURE / RETURN

ALIEN ELECTRO / 128 BPM

XENOSIGNAL

Broken electro drums and a deep, syncopated bass carry an unfamiliar transmission. ABDUCTION moves from biological chatter to machine voices, disappears into a frozen spectral breakdown, then returns in a shifting dimensional lead.

60 SECONDS32 BARS7 TIGER MODULES

INSIDE THE PATCH

  • — the alien lead: moving formants, chatter, granular colour, freeze and reverse.
  • — punchy, broken electro drums, percussion and transition fills.
  • — the syncopated sub-bass and a second sequencer driving the alien melody.
  • — small, quantised mutations in the lead’s pitch phrase.
  • — driven colour and kick-triggered ducking on the bass and lead.
  • — tempo-matched stereo replies, opening into space during the breakdown.
  • — spectral colour, a held texture and spectral delay in the breakdown.
THE ARRANGEMENT

0–7.5s: the transmission arrives over a restrained groove.
7.5–30s: full electro rhythm; biological voices turn into machine chatter.
30–37.5s: drums and bass fall away for capture, freeze and reverse.
37.5–45s: snare build, spectral delay and rising alien movement.
45–58.125s: bass and broken beat return beneath a dimensional lead.
58.125–60s: the transmission fades into its final echoes.

Rendered through the actual Tiger module DLLs in Rack’s engine. Authored knob and button automation changes the voices, granular processing, spectral modes, drum mutes and stereo echoes across the minute. Stock mixers and VCAs handle levels and fades.

DARKMIND / TIGER SOUNDS / 004
LET THE
LIGHT IN.HARMONY / ACID / LIFT

UPLIFTING ACID HOUSE / 128 BPM

SUNBURST

A sunny major-key hook, offbeat bass and bright chord pulses over a bouncing house groove. VENOM’s sliding, accented acid phrase opens through rhythmic filter modulation, settles into a chord-led break, then comes back brighter for the final lift.

60 SECONDS32 BARS10 TIGER MODULES

INSIDE THE PATCH

  • — two voices: the major-key acid hook with slides and accents, plus the offbeat sub-bass.
  • — C–F–G–C major chords, following the bass and lead.
  • — bright stereo chord voices, morphing from additive colour towards supersaw.
  • — rhythmic acid-filter movement and slower chord morph and timbre modulation.
  • — the house rhythm, changing hat density, fills and snare build.
  • — synthesised kick, snare, clap and hat voices.
  • — small timing variations in the closed hats.
  • — warm drive and kick-triggered ducking for the bass, acid and chords.
  • — separate tempo-matched stereo echoes for the acid and chord parts.
  • — short lead reverb, opening into more space during the break.
THE ARRANGEMENT

0–7.5s: bright hook and restrained groove.
7.5–30s: full beat, moving major chords and opening acid filter.
30–37.5s: kick and bass drop away; the sustained chords step forward.
37.5–45s: pulsing chords, rising snare build and widening acid echoes.
45–58.125s: the full groove returns; resonance, accent and waveform changes lift the lead.
58.125–60s: final chord and echo tail.

Actual Tiger module DLLs perform the track in Rack’s engine. Authored automation shapes the chord pulses, harmonic progression, filter, resonance, envelope, accent, drive, waveform, drum fills and effects. Stock polyphonic summing, mixers and VCAs complete the patch. A 303-style musical treatment using VENOM’s own synth voice.

DARKMIND / TIGER SOUNDS / 005
BEYOND
THE SURFACE.DEPTH / RESONANCE / SUSPENSION

DEEP ATMOSPHERE / FREE TIME

BELOW THE HORIZON

A low subharmonic current, distant resonant signals and a slowly changing vocal-like cloud. Irregular notes drift through long stereo echoes as captured spectra stretch and morph. No beat, acid riff or repeating chord progression: a descent into depth, suspension and a quiet dissolution.

60 SECONDS7 TIGER MODULESNO DRUMS

INSIDE THE PATCH

  • — the deep drone, combining two oscillators and quietly blended subharmonics.
  • — drifting, detuned oscillators with moving morph, formant and asymmetry.
  • — irregular tube, plate and glass resonances with long decay and sympathetic ringing.
  • — slow filter, morph and formant CV movement.
  • — spectral delay on the drone; two captured wind spectra, stretching and morphing in the central cloud.
  • — unequal, freely timed stereo echoes carrying the distant resonant signals.
  • — soft final filtering and an expanding, long-decay reverb space.
THE JOURNEY

0–12s: a low current emerges and the first distant signal rings out.
12–26s: brighter resonances and a drifting upper texture enter.
26–40s: captured spectra stretch into the suspended central cloud.
40–51s: the live texture returns, with glass resonances and widening echoes.
51–60s: the sources recede, leaving the final reverberant traces.

Rendered through the actual Tiger module DLLs in Rack’s engine. Authored automation changes the drone filter, oscillator detune, resonator materials, spectral captures, stretch, morph and reverb state. Stock mixers and VCAs shape the layers and final fade. No external music samples.

DARKMIND / TIGER SOUNDS / 006
WHEN THE
SKY BREAKS.EXPANSE / TENSION / IMPACT

CINEMATIC AMBIENT → HEAVY HALFTIME

SKYBREAKER

Wide minor-key pads and distant glass resonances open into an expanding spectral sky. Percussion gathers beneath the cloud, a brief breath clears the space, then heavy drums and deep bass arrive at 30 seconds. The ambient harmony keeps moving above the impact.

60 SECONDS11 TIGER MODULESDROP AT 0:30

INSIDE THE PATCH

  • — the D minor, B-flat, F and suspended C harmony, alternating between two chord voices.
  • — layered stereo pads that morph from additive warmth towards a wider supersaw colour.
  • — slow movement in pad morph, shape and timbre.
  • — gentle chorus and stereo spread around the pad.
  • — distant glass resonances, becoming stronger accents after the drop.
  • — spectral colour and a held texture during the build.
  • — long stereo echoes around the ambient layers.
  • — expanding pad reverb, pulled back as the drums arrive.
  • — the rising percussion, deep kick, halftime snare, hats, toms and fills.
  • — a deep bass layer following the harmony after the drop.
  • — warm drum drive and kick-triggered ducking on the bass.
THE ARRANGEMENT

0–15s: a drum-free ambient opening with changing minor-key pads.
15–22.5s: brighter pad morph and a suspended spectral texture.
22.5–29.7s: percussion enters; snare ratchets and tom fills build tension.
29.7–30s: a short breath before the impact.
30–45s: heavy halftime drums and bass land beneath the wide ambient harmony.
45–58.125s: renewed drum fills, more open bass tone and a final harmonic turn.
58.125–60s: drums and bass recede into the ambient tail.

Actual Tiger module DLLs perform the track in Rack’s engine. Stereo polyphonic sums preserve all pad notes; authored automation shapes the harmony, voice crossfades, spectral hold, reverb, drum ratchets, fills and bass filter. Drums and bass are mixed separately from the ambient reverb for a clear, heavy impact. No external music samples.
ORIGINAL DARKMIND PANEL
VCV RACK 2WINDOWS X64

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USER MANUAL

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INDIVIDUAL MODULE

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